Sunday, December 2, 2018

The House That Jack Built (2018)

Lars Von Trier's latest film The House That Jack Built has been creating quite the stir amongst critics and audiences. Audiences at Cannes had left the theater after some of the more brutal scenes. Now the MPAA is upset over the unrated directors cut of the film that was shown. It has been five years since his latest film Nymphomaniac Volume 1 and 2 (2013) was released and The House That Jack Built was supposed to be his true retrospective on his life as a person and a director. Luckily I was able to see the unrated version in theaters and it is unlike any film I have ever seen. Both in creative style and sheer brutality.

The House That Jack Built is about a serial killer named Jack (Matt Dillon) and five different incidents that he has gone through in his twelve years of killing. As he goes through the different incidents, he is talking to a man named Verge (Bruno Ganz). Jack is telling him his personal thoughts on these different incidents and why he did these things. They bring up subjects of art in violence, wine making, the holocaust, and hunting, just to name a few. Each of the five incidents focus on a different crime that he has done and then builds on his personal thoughts of how that incident happened. In other words it is a two hour and thirty two minute dive into the mind of a killer and the senseless acts of violence he has committed against society. But where this movie stands out is that the whole movie is a metaphor for Von Trier.

The cinematography and art style are amazing. It is told in the same format as Nymphomaniac where there are voiceovers as Jack and Verge discuss what is going on in the scene. It feels as if someone was actually telling this story to a stranger which Von Trier does really well in his films. I find that the use of quick cuts to show examples of what they are talking about make the film very interesting to watch. It always keeps it new and helps you understand the characters and their thinking. I guess it is almost like a "dumbing down" for the viewer but it never feels that way. There is always a point to the images shown on the screen to help move the story along.

I can't speak for how violent the rated version is but the unrated version that I saw is really violent. I can understand why many wouldn't want to see this film. Just explaining some of the scenes make people cringe. The worst scene that got to me was the murder of a woman and her two children. It only makes it worse that when he is trying to kill them, he is having a conversation with Verge, comparing killing them to a hunter hunting deer. Basically you want to save the mother for last and should kill the young first. The way that Dillon's voice is when talking about this is very monotone, because he has no empathy which also makes the actions that much worse. Let's not forget that all the violence is shown and even after the killing, it gets a lot worse. I don't want to explain too much but be prepared to cover your eyes.

This is where is starts to get tricky. Von Trier is comparing himself to Jack throughout the film and is using the killings throughout the film as a metaphor for his films. Jack believes that murder is a version of art and although violent, destructive and sick should be viewed under a respectful manner. Von Trier has been under fire multiple times for his violence in movies especially against women. By comparing Jack to himself with this metaphor he is explaining that his films should still be considered art even if they are depraved.  Now this probably makes the film more interesting for someone who is familiar with Von Trier's works. For a newcomer, this would be lost on them unless they have done some research. Also within the film he makes notions towards one of his biggest fiascos that almost destroyed his entire reputation so that was intriguing to see his feelings towards that.

What it comes down to though is was it any good? I thought the movie was very well done. Is it for everyone? Absolutely not. Does it give an insight into Von Trier's mind? Absolutely. Do we really need that? No. I will mostly likely watch it again because there were certain parts of their talks that I couldn't quite make out over the packed theater. Also, I walked out of the theater curious and confused as to what I had just watched. The ending also needs a rewatch because it really comes from left field. So if you are okay with extreme violence in the name of art then you will enjoy this. If violence is not your thing then stay as far away as you can. Some scenes in this will give you nightmares.

Grade: A-

Genre: Drama, Horror

Cast: Matt Dillon, Bruno Ganz, Uma Thurman

Rated: Unrated

Director: Lars Von Trier

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